Yesterday was the opening game of the 2015 Six Nations rugby tournament, with England beating Wales at the Millennium Stadium in Cardiff. I watched the game on TV from my personal box, with a strong cup of tea by my side. I live life on the edge.
This morning, I took the early train to Cardiff as I wanted to visit the museum to see an exhibition on early photography. More of that later. The train was empty, despite being an Intercity service going to London. When I got to Cardiff, I found that it, too was quiet. The only people around seemed to be the people heading off to open up and run shops. It was clear that everyone else was indoors, recovering from the night before.
It was cold and grey in the capital, and after a reviving cup of coffee, I set off for Jessops, the photographic retailer. After they went bust a few years ago, the brand was sold and a few of the shops were reopened. Cardiff has such a store. I ended up having a chat with one of the salesmen there as it turned out he went to college in Swansea, where I was a technician in the photography department. We shared some stories and caught up with the whereabouts of some of the tutors. It was a breath of fresh air, and there was no sense of sales pitching at all. I always liked the staff in Jessops, and I’m glad the brand has been resurrected.
Then it was on to the museum and straight to the exhibition. A large proportion of the displayed photographs were from or by John Dillwyn Llewelyn and his sister, Mary. JDL was an early pioneer of photography in Britain and was a contemporary of Fox Talbot, to whom he was related by marriage. His earliest images date back to 1840. His mansion at Penllegare was the centre of his photographic endeavours, and the house and grounds feature often as subjects. If you go along to Penllegare Woods to day (and you should, it’s a great place to visit), you can see many of the places and subjects JDL photographed. The mansion, sadly, is gone and the beautiful ornamental gardens are over grown but volunteers are working to restore parts of the grounds to their former state.
Some of the images on display were from the 1850s and it was amazing to see people staring out from 164 years ago. There were familiar sights – Caswell and Three Cliffs Bay, Tenby, Swansea docks and, as mentioned, Penllegare woods.
In the early days of photography the film wasn’t sensitive enough to freeze any kind of motion, so there are photographs of sailing ships in Swansea docks where their movement on the water has blurred the masts and completely hidden the rigging. It meant that people sitting for portraits had to stay motionless for up to several minutes. Neck braces were used to help keep people still. Some of the pioneering work JDL was doing was developing more sensitive films, cutting the exposure time to seconds and making possible more natural looking poses
Other photographers were represented too, some amateur, some professional. The images ranged from studio portraits to reportage and historical records. Some of the equipment and cameras used by JDL and his contemporaries were on display too. The early cameras were crude wooden boxes that weren’t immediately identifiable as photographic tools.
I enjoyed the exhibition and the fascinating insight to the early days of photography it gave. I wish there had been more photographs on display, though.
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