Analogue

I’ve mentioned film and digital photography a few times over the years of this blog and I’m not going to preach the advantages of one over the other. Today’s blog is about my recent adventures in the world of film.

Now I’ve reduced my working hours I have more time to spend on doing the things I want to do. That should include bringing the house up to scratch, tending the garden and nurturing the latest batch of spuds, and it does. But it also means I can take time out to really enjoy my passion for photography. I’ve been taking still photographs for 35 years (and I was making home movies for years before that). Up until recently, I’ve only really had the freedom to spend a day or two just taking photos when I’ve had leave. And often, leave is taken up with other things. But now I’m finally in a financial position to be able to indulge myself (within reason) and I have the time to enjoy that indulgence.

A couple of months ago I decided to make a proper effort to get back into film. I have a few old rolls of black and white film in my fridge and they’ve been there since 2010 so I loaded a roll of Ilford SFX200 into the camera and set off for Swansea Bay. As before, once the film was finished, it went back in the fridge and I determined to develop it myself. In the meantime, I loaded a roll of Ilford XP2 black and white in the camera and went shooting again. XP2 can be developed in the same machines as colour print, which meant that my local Boots store would do it in 1hr for me. Which they did and suddenly I had a CD of images that I was really pleased with.

I went through a couple more old black and white films from the fridge and one I’d bought recently and I ordered developing chemicals from the Internet. Then came the evening I’d set aside to develop my films.

Part of the developing process requires accuracy in following precise measures and timings. The other part, loading the film into the developing spirals, requires skill, dexterity and some patience. The loading is done by feel as the film has to be kept in darkness until the processing is over. I decided to use the old SFX first to practice with as I wasn’t expecting much from this ancient emulsion. I was surprised at how the loading came naturally to me – I guess, like riding a bike, you never forget. The film went smoothly on the spirals and after about 20 minutes of chemicals, count downs and another 15 minutes of washing, my first film for ages had been developed. And it was surprisingly successful, for a film at least 6 years out of date.

I quickly developed the other films and suddenly it was very late at night and I hadn’t noticed. But I had enjoyed myself, which is what photography is all about for me.

Since then I’ve been out more and more with the film camera and really enjoyed the familiar challenges using one poses. I am very aware of the limited number of frames available to me (36 shots on a roll of black and white film) and this means I take more time to consider the photograph I’m about to take. I can’t check the result straight away so I have to be confident I’ve got the image I want before I leave the scene. This slows me down and makes me think before taking the photo. Doing this reminded me of a part of photography that I loved, and still do. Taking the picture is almost an irrelevance compared to setting the photograph up.

These are things I used to do and have confidence in before digital, so it’s only a case of building the confidence back up again. And, of course, this rediscovered workflow will translate back into better, more thoughtful photographs regardless of the medium I use. And that gives me great satisfaction.

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16 years ago…

In December 2000 I bought my first proper digital camera. It was an Olympus C3030Z. 3.1mp, 3x zoom. 4 AA batteries. At the time it was at the top end of the consumer camera market. You could get better – Kodak were making the first DSLRs – but they cost thousands of pounds.

I remember going to the local branch of Jessops and slipping on ice on the way. In putting my hand out to (unsuccessfully) stop myself falling, I cut it quite badly on the rough concrete of a wall. I was in the shop with a bloody tissue wrapped around my hand. I don’t remember how much I paid for the camera but for the next two years it slowly took over from film as I used it more and more. It was smaller than my film camera, it showed me what I had done with it straight away and once I’d paid for it, it cost nothing but batteries. I was no longer thinking in terms of 24 or 36 exposures (or with medium format, 12, 10 and 8). I didn’t need to bracket anymore as I could instantly check the results.

The downside, of course, was that the final image quality at the print stage wasn’t as good as film. But for what I was using it at the time, which was to illustrate a website, it was excellent. And when I did start printing images, I was able to get an A3 print from the best files, as long as I stuck to ISO 100 and used the Tiff file format.

The turning point was a trip to Scotland with a mate. With were both keen photographers and both had 35mm film cameras. But during the extended tour of the North West and the Western Isles in perfect photography weather, the C3030Z grew on me and I started to really appreciate the benefits of digital photography. Eventually, it replaced the 35mm SLR in my kitbag and nestled alongside my Mamiya 645 and lenses. I found that it was useful to test exposures before committing a medium format frame.

Inevitably, I decided to completely move to digital and I sold all my Pentax film gear, and the C3030Z, to buy a Fuji digital SLR. But that’s another story.

Last week, I spotted an Olympus C3030Z in the window of a local camera shop. It looked in excellent condition and yesterday, on a whim, I went and asked about it. It was old stock, so technically not even second hand. It came with the memory card (Smart Media – no longer manufactured) but the rest of the accessories were missing. I made an offer of £25, which was accepted and the camera was mine. They even threw in a set of batteries.

Like a kid with a new toy (I am a kid and it was a new toy, so no problem there) I was off taking snaps as soon as I left the camera shop. In some ways it was so familiar – the operation and settings menu came as second nature. In other ways, it was odd. I had forgotten how big it was, though this made it comfortable to use. I’d forgotten how big the Smart Media card was. Huge compared with today’s memory cards. It takes a long time to warm up after it’s been switched on, and the LCD screen is tiny. But it has an optical viewfinder with eyesight adjustment (which many modern cameras don’t have). I’d forgotten it has auto bracketing, which means I’ll be able to indulge in some HDR photography.

I’ve put some photos I took with my original C3030Z plus some taken with the ‘new’ one below. Now to find some long lost Smart Media cards…

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